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"Stones"
birds not so much the ducks and geese okay not horses cows pigs
she'd lived in the city all her life some cats and dogs okay as part
of someone else's narrative the posted photographs are someone's
pets the figurines less figurative than graceful to behold the same
with carved giraffes and camels no reptiles no amphibians nothing
from the sea although she loved the sea her passion was for stones
I don't know why the parquet floor never buckled and caved collapsed
into the rooms below her rooms all the horizontal surfaces were covered
with stones the bureau the cupboards the closets were full of the precious
stones she wore at her throat her ears her fingers her wrists the inlaid
tables held ceramic bowls of polished stones the antique desk a basket
of stones a bushel of stones on the floor on the windowsills more stones
each one unique each one a narrative the étagère held up to the light stones
hewn from the source and hauled up here still jagged refracting every
shade of amethyst her birthstone like my mother's crystals shimmering
as if alive rescued from the field the cliff the shore the riverbed I found
a single cufflink by her bed a tiny diamond set in silver did her father
sift out at his flour mill the dangerous stones I stretched out beside her
in her bad time thinking to help her sleep I held her hand her fingers wore
a few of her favorite rings the two of us lay entirely still atop the quilt
a stiff sarcophagus she didn't sleep her mind was an etched plate
from which she drew off print after print the framed prints on the walls
were all interiors our talk had always been a stone kicked down a hill
no purpose no destination her father her mother my mother my dogs
she never said she was leaving me in charge she wasn't my mother why
put me in charge I put the jewels on other throats and wrists I threw away
the bushels of cosmetics and perfume her chosen armaments
against the world who loved the world I sold the breakfront
cabinet full of cut-glass bowls and blown-glass figurines but who
will save the living stones she loved I have so many already
in my yard half-in half-out of the earth immovable
she'd seen my yard she'd seen those heavy stones
--Ellen Bryant Voigt
"Oak"
--Ellen Bryant Voigt
"Noble Dog"
behind our house down to the brook and the woods
beyond the groomed grass and flower beds what we see
are brook and woods and sometimes mild creatures of the field
we thought when we bathed in the claw-footed tub we could pretend
we stayed inside the natural world no shutters no shades at night
beside the mirror over the sink the windows darkened into mirrors
where my daughter at thirteen admired her tan her new body until she felt
or thought she felt something move outside in the yard and asked quietly
up the backstairs for us to come down here for just a minute please
come down here now we couldn't tell how much was fear
how much was shame we thought she needed us to be calm
we tried to be calm like the trooper we called who said without alarm
to the handsome noble dog where is he buddy where is he buddy
at which as if in a game of fetch the dog went straight around the house
to the one smell that didn't fit to the one smell that crossed the clipped grass
into the ditch beside the dirt road where the dog went too the dog
tracking the smell the trooper tracking the dog the dog
not barking or baying until the scent stopped
inside the culvert bearing the brook west under the road
a large metal pipe that amplified the dog's whimpers and moans
dog of righteousness dog of retribution
we heard it from our house where soon the shutters would go up
we sat in the kitchen the summer air soft as a damp rag we knew
this was a moment of consequence but we couldn't tell
whether the world had grown larger or smaller
--Ellen Bryant Voigt
"Geese"
--Ellen Bryant Voigt
"Sleep"
--Ellen Bryant Voigt
birds not so much the ducks and geese okay not horses cows pigs
she'd lived in the city all her life some cats and dogs okay as part
of someone else's narrative the posted photographs are someone's
pets the figurines less figurative than graceful to behold the same
with carved giraffes and camels no reptiles no amphibians nothing
from the sea although she loved the sea her passion was for stones
I don't know why the parquet floor never buckled and caved collapsed
into the rooms below her rooms all the horizontal surfaces were covered
with stones the bureau the cupboards the closets were full of the precious
stones she wore at her throat her ears her fingers her wrists the inlaid
tables held ceramic bowls of polished stones the antique desk a basket
of stones a bushel of stones on the floor on the windowsills more stones
each one unique each one a narrative the étagère held up to the light stones
hewn from the source and hauled up here still jagged refracting every
shade of amethyst her birthstone like my mother's crystals shimmering
as if alive rescued from the field the cliff the shore the riverbed I found
a single cufflink by her bed a tiny diamond set in silver did her father
sift out at his flour mill the dangerous stones I stretched out beside her
in her bad time thinking to help her sleep I held her hand her fingers wore
a few of her favorite rings the two of us lay entirely still atop the quilt
a stiff sarcophagus she didn't sleep her mind was an etched plate
from which she drew off print after print the framed prints on the walls
were all interiors our talk had always been a stone kicked down a hill
no purpose no destination her father her mother my mother my dogs
she never said she was leaving me in charge she wasn't my mother why
put me in charge I put the jewels on other throats and wrists I threw away
the bushels of cosmetics and perfume her chosen armaments
against the world who loved the world I sold the breakfront
cabinet full of cut-glass bowls and blown-glass figurines but who
will save the living stones she loved I have so many already
in my yard half-in half-out of the earth immovable
she'd seen my yard she'd seen those heavy stones
--Ellen Bryant Voigt
"Oak"
not to board the bus but wait for the last bell like those who live in town shuffling ahead of her the clumps drift apart drift back shifting boys in a cluster now a boy and a girl a dance a recess game as each is subtracted one by one into the houses she passes the windows half-lidded by half-drawn shades or framed by curtains and sash she likes walking alone along the verge of the lawns no fence no field the leaves drifting out from under the oaks while in the woods they would only settle and rot she likes the way a passing car releases them across the grid of the sidewalk a solid math for a solitary girl the small steps into the larger world of strangers wholly indifferent houses cars rust-colored dog she passes the hardware grocery pharmacy beauty salon every Thursday you've noticed such a child content to be invisible scuffing the leaves toward the bungalow the hushed backroom where someone is propped in the high bed her webbed face her halo of hair past humankind and all its suffering past seeing now past death too old for death and waiting for this girl who thumbs the latch who lifts the lid of the black box lifts from red felt those silver pieces fits them together the trick is to breathe across and not into the small round hole as her arched fingers hover over the other open holes each finger knows its task she's fixed to one purpose Joyful Joyful We Adore Thee dark out in the street the wind ruffling oak leaves the dark window lit by the silver flute the white ghost hair the brighter lights is it her mother come to drive her home
--Ellen Bryant Voigt
"Noble Dog"
behind our house down to the brook and the woods
beyond the groomed grass and flower beds what we see
are brook and woods and sometimes mild creatures of the field
we thought when we bathed in the claw-footed tub we could pretend
we stayed inside the natural world no shutters no shades at night
beside the mirror over the sink the windows darkened into mirrors
where my daughter at thirteen admired her tan her new body until she felt
or thought she felt something move outside in the yard and asked quietly
up the backstairs for us to come down here for just a minute please
come down here now we couldn't tell how much was fear
how much was shame we thought she needed us to be calm
we tried to be calm like the trooper we called who said without alarm
to the handsome noble dog where is he buddy where is he buddy
at which as if in a game of fetch the dog went straight around the house
to the one smell that didn't fit to the one smell that crossed the clipped grass
into the ditch beside the dirt road where the dog went too the dog
tracking the smell the trooper tracking the dog the dog
not barking or baying until the scent stopped
inside the culvert bearing the brook west under the road
a large metal pipe that amplified the dog's whimpers and moans
dog of righteousness dog of retribution
we heard it from our house where soon the shutters would go up
we sat in the kitchen the summer air soft as a damp rag we knew
this was a moment of consequence but we couldn't tell
whether the world had grown larger or smaller
--Ellen Bryant Voigt
"Geese"
there is no cure for temperament it's how we recognize ourselves but sometimes within it a narrowing imprisons or is opened such as when my mother in her last illness snarled and spat and how this lifted my dour father into a patient tenderness thereby astounding everyone but mostly it hardens who we always were if you've been let's say a glass-half-empty kind of girl you wake to the chorus of geese overhead forlorn for something has softened their nasal voices their ugly aggression on the ground they're worse than chickens but flying one leader falling back another moving up to pierce the wind no one in charge or every one in charge in flight each limited goose adjusts its part in the cluster just under the clouds do they mean together to duplicate the cloud like the pelicans on the pond rearranging their shadows to fool the fish another collective that constantly recalibrates but fish don't need to reinvent themselves the way geese do when they negotiate the sky on the fixed unyielding ground there is no end to hierarchy the flock the pack the family you know it's true if you're a take-charge kind of girl I recommend houseplants in the windows facing south the cacti the cyclamen are blooming on the brink of winter all it took was a little enforced deprivation a little premature and structured dark
--Ellen Bryant Voigt
"Sleep"
another heavy frost what doesn't die or fly away the groundhog for instance the bear is deep in sleep I'm thinking a lot about sleep translation I'm not sleeping much who used to be a champion of sleep ex-champions are pathetic my inner parent says the world is full of evil death cruelty degradation not sleeping scores only a 2 out of 10 but a moral sense is exhausting I am exhausted a coma looks good to me if only I could be sure there'd still be dreams it's what I miss the most even in terrible dreams at least you feel what you feel not what you're supposed to feel your house burns down so what if you survived you rake the ashes sobbing exhausted from trying not to smoke I once asked for a simple errand from my beloved who wanted me not to smoke he forgot unforgivable I fled the house like an animal wounded enraged I was thinking more clearly than I had ever thought my thought was why prolong this life I flung myself into the car I drove like a fiend to the nearest store I asked unthinking for unfiltered Luckies oh brand of my girlhood I paid the price I took my prize to the car I slit the cellophane I tapped out one perfect white cylinder I brought to my face the smell of the barns the fires cooking it golden brown smell of my father my uncles my grandfather's tin of loose tobacco his packet of delicate paper the deliberate way he rolled and licked and tapped and lit and drew in and relished it the smell of the wild girls behind the gym the boys in pickup trucks I sat in my car as the other cars crept by I looked like a pervert it was perverse a Lucky under my nose I drove myself home I threw away the pack which was unwise the gods don't notice whining they notice the brief bright flares of human will they lean from their couches yes more fear and dread for that one yes let's turn the suffering up a notch let's watch her strike the match I strike it now when I wake in the dark I light that little fire
--Ellen Bryant Voigt