[identity profile] two-grey-rooms.livejournal.com
" 'You hold that anger,' Mistress Weatherwax said, as if reading all of her mind. 'Cup it in your heart, remember where it came from, remember the shape of it, save it until you need it. But now the wolf is out there somewhere in the woods, and you need to see to the flock.' "
--Terry Pratchett, A Hat Full of Sky


" 'Need each other as much as you can bear,' writes Eileen Myles. 'Everywhere you go in the world.'

"I felt the wild need for any or all of these people that night. Lying there alone, I began to feel--perhaps even to know--that I did not exist apart from their love and need of me.

"Of this latter I felt less sure, but it seemed possible, if the equation worked both ways.

"Falling asleep I thought, 'Maybe this, for me, is the hand of God.' "
--Maggie Nelson


now what were motionless move(exists no

miracle mightier than this:to feel)
poor worlds must merely do,which then are done;
and whose last doing shall not quite undo
such first amazement as a leaf-here's one

more than each creature new(except your fear
to whom i give this little parasol,
so she may above people walk in the air
with almost breathing me)-look up:and we’ll

(for what were less than dead)dance,i and you;

high(are become more than alive)above
anybody and fate and even Our
whisper it Selves but don't look down and to

-morrow and yesterday and everything except love
--e. e. cummings


"Prayers"
1.
We pray
and the resurrection happens.
Here are the young
again,
sniping and giggling,
tingly
as ringing phones.
2.
All we ask
is that our thinking
sustain momentum,
identify targets.
The pressure
in my lower back
rising to be recognized
as pain.
The blue triangles
on the rug
repeating.
Coming up,
a discussion
on the uses
of torture.
The fear
that all this
will end.
The fear
that it won't.
--Rae Armantrout


"All witches are selfish, the Queen had said. But Tiffany's Third Thoughts said: Then turn selfishness into a weapon! Make all things yours! Make other lives and dreams and hopes yours! Protect them! Save them! Bring them into the sheepfold! Walk the gale for them! Keep away the wolf! My dreams! My brother! My family! My land! My world! How dare you try to take these things, because they are mine!"
--Terry Pratchett, The Wee Free Men


"The Unexplorer"
There was a road ran past our house
Too lovely to explore.
I asked my mother once--she said
That if you followed where it led
It brought you to the milk-man's door.
(That's why I have not travelled more.)
--Edna St. Vincent Millay


"Let me begin by telling you that I was in love. An ordinary statement, to be sure, but not an ordinary fact, for so few of us learn that love is tenderness, and tenderness is not, as a fair proportion suspect, pity; and still fewer know that happiness in love is not the absolute focusing of all emotion in another: one has always to love a good many things which the beloved must come only to symbolize; the true beloveds of this world are in their lover's eyes lilac opening, ship lights, school bells, a landscape, remembered conversations, friends, a child's Sunday, lost voices, one's favorite suit, autumn and all seasons, memory, yes, it being the earth and water of existence, memory."
--Truman Capote, Other Voices, Other Rooms


"When we honestly ask ourselves which person in our lives mean the most to us, we often find that it is those who, instead of giving advice, solutions, or cures, have chosen rather to share our pain and touch our wounds with a warm and tender hand. The friend who can be silent with us in a moment of despair or confusion, who can stay with us in an hour of grief and bereavement, who can tolerate not knowing, not curing, not healing and face with us the reality of our powerlessness, that is a friend who cares."
--Henri J. M. Nouwen


i am accused of tending to the past
as if i made it,
as if i sculpted it
with my own hands. i did not.
this past was waiting for me
when i came,
a monstrous unnamed baby,
and i with my mother's itch
took it to breast
and named it
History.
she is more human now,
learning language every day,
remembering faces, names, and dates.
when she is strong enough to travel
on her own, beware, she will.
--Lucille Clifton


"I learned a long time ago that life introduces young people to situations they are in no way prepared for, even good girls, lucky girls who want for nothing. Sometimes, when you least expect it, you become the girl in the woods. You lose your name because another one is forced on you. You think you are alone until you find books about girls like you. Salvation is certainly among the reasons I read. Reading and writing have always pulled me out of the darkest experiences in my life. Stories have given me a place in which to lose myself. They have allowed me to remember. They have allowed me to forget. They have allowed me to imagine different endings and better possible worlds."
--Roxane Gay, Bad Feminist


"Could Have Danced All Night"
The wolf appointed to tear me apart
is sure making slow work of it.
This morning just one eye weeping,
a single chip out of my back and
the usual maniacal wooden bird flutes
in the brain. Listen to that feeble howl
like having fangs is something to regret,
like we shouldn't give thanks for blood
thirst. Even my idiot neighbor backing out
without looking could do a better job,
even that leaning diseased tree or dream
of a palsied hand squeezing the throat but
we've been at this for years, lying exposed
on the couch in the fat of the afternoon,
staring down the moon among night blooms.
What good's a reluctant wolf anyway?
The other wolves just get it drunk
then tie it to a post. Poor pup.
Here's my hand. Bite.
--Dean Young


"[W]e are not looking for a perfect analysis, but we are looking for
the mark of vulnerability which makes a great text not an authority
generating a perfect narrative, but our own companion, as it were, so
we can share our own vulnerabilities with those texts and move."
--Gayatri Chakravorty Spivak


"A story has no beginning or end: arbitrarily one chooses that moment of experience from which to look back or from which to look ahead."
--Graham Greene, The End of the Affair


"I don't believe in freedom. I think it's an illusion. A nightmare. I think it's bad. I think we depend on the air to breathe, that animals die so that we can eat them, that some one cares for us so that we feel secure, that everything is o.k. so that we have peace. I think we are all dependents! I do think that we have the possibility to have the keys to our own cell, to our own prison. I want to be the owner of my own prison keys. But I don't want to be 'free'. Trying to be 'free' is like trying to be a lone-standing star. The stars shine, but they do not give warmth. And they are very distant. I want heat! I want to be near to others. I want to be human, a prisoner to life."
--Concha Buika


"Leave the door open for the unknown, the door into the dark. That's where the most important things come from, where you yourself came from, and where you will go."
--Rebecca Solnit


"Please Stand a While Longer in the Vast, Amazing Dark"
Maybe don't for another minute be afraid
of anything. Because swimming is really useful
against drowning which you didn't know until
you tried it. And then your life was just massive
regret. And then you thought about three
purple blossoms in the hair
of a beautiful girl. But that's not the part
that aches in a deep kind of place
inside you. Like if your dinner caught fire
in your stomach and then you ran
to the river which was dry. And your friend
was a jerk who doesn't share resources
including a hose. Most things lose
interest when you are quiet
and small. Most things want to be
around other majestic things that make
noise or beauty. Wind plucks a flower
for sailing. You stand there in the presence
of whatever you are not.
--Wendy Xu


"The feeling that something is missing never, ever leaves you--and it can't, and it shouldn't, because something is missing. The missing part, the missing past, can be an opening, not a void. It can be an entry as well as an exit. It is the fossil record, the imprint of another life, and although you can never have that life, your fingers trace the space where it might have been, and your fingers learn a kind of Braille.

"There are markings here, raised like welts. Read them. Read the hurt. Rewrite them. Rewrite the hurt."
--Jeanette Winterson, Why Be Happy When You Can Be Normal?


"If books could have more, give more, be more, show more, they would still need readers who bring to them sound and smell and light and all the rest that can't be in books. The book needs you."
--Gary Paulsen, The Winter Room


"We cannot live in a world that is not our own, in a world that is interpreted for us by others. An interpreted world is not a home. Part of the terror is to take back our own listening, to use our own voice, to see our own light."
--St. Hildegard von Bingen, translator unknown


"Watch This"
1.
Small flame wandering
on its wick.

2.
I had wanted
intimacy, for you to see
what I saw
in my mirror.

3.
Pleasure preferred
in semblance,

sibilance
--Rae Armantrout


"There Are Birds Here"
For Detroit

There are birds here,
so many birds here
is what I was trying to say
when they said those birds were metaphors
for what is trapped
between buildings
and buildings. No.
The birds are here
to root around for bread
the girl's hands tear
and toss like confetti. No,
I don't mean the bread is torn like cotton,
I said confetti, and no
not the confetti
a tank can make of a building.
I mean the confetti
a boy can't stop smiling about
and no his smile isn't much
like a skeleton at all. And no
his neighborhood is not like a war zone.
I am trying to say
his neighborhood
is as tattered and feathered
as anything else,
as shadow pierced by sun
and light parted
by shadow-dance as anything else,
but they won’t stop saying
how lovely the ruins,
how ruined the lovely
children must be in that birdless city.
--Jamaal May


"Poetry wants to make things mean more than they mean, says someone, as if we knew how much things meant, and in what unit of measure."
--Rae Armantrout


"Odd as it may seem, I am my remembering self, and the experiencing self, who does my living, is like a stranger to me."
--Daniel Kahneman, Thinking, Fast and Slow


"What is a quote? A quote (cognate with quota) is a cut, a section, a slice of someone else's orange. You suck the slice, toss the rind, skate away."
--Anne Carson, "Foam (Essay with Rhapsody): On the Sublime with Longinus and Antonioni"


"[...] in trying to heal that wound that never heals, lies the strangeness, the inventiveness of a man's work."
--García Lorca, "Theory and Play of the Duende," translated by A. S. Kline


"The Muse stirs the intellect, bringing a landscape of columns and an illusory taste of laurel, and intellect is often poetry's enemy, since it limits too much, since it lifts the poet into the bondage of aristocratic fineness, where he forgets that he might be eaten, suddenly, by ants, or that a huge arsenical lobster might fall on his head--things against which the Muses who inhabit monocles, or the roses of lukewarm lacquer in a tiny salon, have no power.

"Angel and Muse come from outside us: the angel brings light, the Muse form (Hesiod learnt from her). Golden bread or fold of tunic, it is her norm that the poet receives in his laurel grove. While the duende has to be roused from the furthest habitations of the blood."
--García Lorca, "Theory and Play of the Duende," translated by A. S. Kline


"I believe that words uttered in passion contain a greater living truth than do those words which express thoughts rationally conceived. It is blood that moves the body. Words are not meant to stir the air only: they are capable of moving greater things."
--Natsume Soseki, Kokoro


"The more I wonder, the more I love."
--Alice Walker, The Color Purple
[identity profile] two-grey-rooms.livejournal.com
"I don't subscribe to the notion that a poem is doing its job when people get angry, no. The idea of a poem 'doing its job' is a really foreign one to me. It's not a kitchen implement, that either works or doesn't. It's not a machine whose function is to manufacture human reaction, and if it manufactures enough of the right kind of reaction then it can be judged successful. It's a place that goes onto the map if people return and return to it over a long period of time. Its job is to be there, for the people who want to come to it."
--Patricia Lockwood


"Commander Vimes didn't like the phrase 'The innocent have nothing to fear', believing the innocent had everything to fear, mostly from the guilty but in the longer term even more from those who say things like 'The innocent have nothing to fear'."
--Terry Pratchett


"How odd I can have all this inside me and to you it's just words."
--David Foster Wallace, The Pale King


"Tell me the best fantasy lands aren't deep, deep conversations. The one you had when everyone else was asleep at a slumber party when you were nine years old on the basement floor covered by a green outdoor rug next to her brother's barbell stand. Or the one you had on the bus with that boy when you were fourteen who said girls didn't go out with him because he had a paunch and didn't play football. And you admitted a few things about yourself that didn't sound good. Or the one that kept you in the dining hall so you missed all your afternoon classes in college. Or the one that led you to elope. Or the one last week when you talked about how you felt about failing and failing again until one of the children came running in because you'd forgotten dinner. Tell me, aren't the best fantasies where you have those conversations you don't want to leave, like an island, ancient volcano, surrounded by jeweled waters, warm in the sunlight, icy in the shadow of its caves--a place you remember best for being rare, for being far in the middle of the sea, uninhabitable, or unbearably too inhabitable, left before we ruined it."
--Jimin Han


"Manifesto"
trigger warning: wartime violence )
--Catalina Ferro


"Missed Time"
My notebook has remained blank for months
thanks to the light you shower
around me. I have no use
for my pen, which lies
languorously without grief.

Nothing is better than to live
a storyless life that needs
no writing for meaning--
when I am gone, let others say
they lost a happy man,
though no one can tell how happy I was.
--Ha Jin


"I like people who dream or talk to themselves interminably; I like them, for they are double. They are here and elsewhere."
--Albert Camus
[identity profile] two-grey-rooms.livejournal.com
"Art, to be sure, has its roots in the lives of human beings: the weakness, the strength, the absurdity. I doubt that it is limited to our comrades; since we have discovered that art does not belong to what was once the aristocracy, it does not therefore follow that it has become the exclusive property of the common man--which abstraction, by the way, I have yet to meet. Rather, since it is involved with all of us, it belongs to all of us, and this includes our foes, who are as desperate and as vicious and as blind as we are and who can only be as evil as we are ourselves."
--James Baldwin


"Hang yourself, poet, in your own words. Otherwise you are dead."
--Langston Hughes, in the introduction to from The Collected Poems of Langston Hughes


"Literature can train, and exercise, our ability to weep for those who are not us or ours.

"Who would we be if we could not sympathize with those who are not us or ours? Who would we be if we could not forget ourselves, at least some of the time?"
--Susan Sontag


"What the Dragon Said: a Love Story"
So this guy walks into a dragon's lair

      and he says
why the long tale?
                  HAR HAR BUDDY
says the dragon
                  FUCK YOU.
 
The dragon's a classic
the '57 Chevy of existential chthonic threats
take in those Christmas colors, those 
impervious green scales, sticky candy-red firebreath,
comes standard with a heap of rubylust
goldhuddled treasure.
                  Go ahead.
                  Kick the tires, boy.
                  See how she rides.
 
Sit down, kid, says the dragon. Diamonds
roll off her back like dandruff.
 
Oh, you'd rather be called a paladin?
I'd rather be a unicorn.
                  Always thought that
was the better gig. Everyone thinks
you're innocent. Everyone calls you
pure. And the girls aren't afraid
they come right up with their little hands out
for you to sniff
like you're a puppy
and they're gonna take you home.
They let you put your head right
in their laps.
                  But nobody on this earth
ever got what they wanted. Now
 
I know what you came for. You want
my body. To hang it up on a nail
over your fireplace. Say to some milk-and-rosewater chica
who lays her head in your lap
look how much it takes
to make me feel like a man.
                  We're in the dark now, you and me. This is primal
shit right here. Grendel, Smaug, St. George. You've been
called up. This is the big game. You don't have
to make stupid puns. Flash your feathers
like your monkey bravado
can impress. I saw a T-Rex fight a comet
and lose. You've
got nothing I want.
 
Here's something I bet you don't know:
      every time someone writes a story about a dragon
a real dragon dies.
                  Something about seeing
and being seen
                  something about mirrors
that old tune about how a photograph
can take your whole soul. At the end
of this poem
                  I'm going to go out like electricity
in an ice storm. I've made peace with it.
                  That last blockbuster took out a whole family
                  of Bhutan thunder dragons
living in Latvia
the fumes of their cleargas hoard
hanging on their beards like blue ghosts.
 
A dragon's gotta get zen
                  with ephemerality.
 
You want to cut me up? Chickenscratch my leather
with butcher's chalk:
cutlets, tenderloin, ribs for the company barbecue,
chuck, chops, brisket, roast.
                  I dig it, I do.
I want to eat everything, too.
 
When I look at the world
      I see a table.
All those fancy houses, people with degrees, horses and whales,
bankers and Buddha statues
the Pope, astronauts, panda bears and yes, paladins
                  if you let me swallow you whole
                  I'll call you whatever you want.
Look at it all: waitresses and ice caps and submarines down
at the bottom of the heavy lightless saltdark of the sea
                  Don't they know they'd be safer
                  inside me?
 
I could be big for them
      I could hold them all
My belly could be a city
      where everyone was so loved
they wouldn't need jobs. I could be
the hyperreal
post-scarcity dragonhearted singularity.
      I could eat them
      and feed them
      and eat them
      and feed them.
 
This is why I don't get to be a unicorn.
Those ponies have clotted cream and Chanel No. 5 for blood
and they don't burn up like comets
with love that tastes like starving to death.
      And you, with your standup comedy knightliness,
covering Beowulf's greatest hits on your tin kazoo,
you can't begin to think through
      what it takes to fill up a body like this.
It takes everything pretty
and everything true
      and you stick yourself in a cave because
your want is bigger than you.
 
I just want to be
the size of a galaxy
so I can eat all the stars and gas giants
without them noticing
and getting upset.
Is that so bad?
                  Isn't that
what love looks like?
                  Isn't that
what you want, too?
 
I'll make you a deal.
      Come close up
stand on my emeraldheart, my sapphireself
the goldpile of my body
      Close enough to smell
everything you'll never be.
 
Don't finish the poem. Not for nothing
is it a snake
that eats her tail
and means eternity. What's a few verses worth
anyway? Everyone knows
poetry doesn't sell. Don't you ever feel
like you're just
a story someone is telling
about someone like you?
                  I get that. I get you. You and me
we could fit
inside each other. It’s not nihilism
if there's really no point to anything.
 
I have a secret
down in the deep of my dark.
All those other kids who wanted me
to call them paladins,
warriors, saints, whose swords had names,
whose bodies were perfect
as moonlight
      they've set up a township near my liver
had babies with the maidens they didn't save
      invented electric lightbulbs
      thought up new holidays.
                              You can have my body
                              just like you wanted.
Or you can keep on fighting dragons
writing dragons
fighting dragons
re-staging that same old Cretaceous deathmatch
you mammals
always win.
                  But hey, hush, come on.
Quit now.
You'll never fix
that line.
                  I have a forgiveness in me
                  the size of eons
                  and if a dragon's body is big enough
                  it just looks like the world.
                             
                              Did you know
the earth used to have two moons?

--Catherynne M. Valente


"And all the stories had, somewhere, the witch. The wicked old witch.

"And Tiffany had thought, Where's the evidence?

"The stories never said why she was wicked. It was enough to be an old woman, enough to be all alone, enough to look strange because you had no teeth. It was enough to be called a witch.

"If it came to that, the book never gave you the evidence of anything. It talked about 'a handsome prince'...was he really, or was it just because he was a prince that people called him handsome? As for 'a girl who was as beautiful as the day was long'...well, which day? In midwinter it hardly ever got light! the stories didn't want you to think, they just wanted you to believe what you were told..."
--Terry Pratchett, The Wee Free Me


"Look, words are like the air: they belong to everybody. Words are not the problem; it's the tone, the context, where those words are aimed, and in whose company they are uttered. Of course murderers and victims use the same words, but I never read the words utopia, or beauty, or tenderness in police descriptions. Do you know that the Argentinean dictatorship burnt The Little Prince? And I think they were right to do so, not because I do not love The Little Prince, but because the book is so full of tenderness that it would harm any dictatorship."
--Juan Gelman


"Blackberries"
They left my hands like a printer's
Or thief's before a police blotter
& pulled me into early morning's
Terrestrial sweetness, so thick
The damp ground was consecrated
Where they fell among a garland of thorns.

Although I could smell old lime-covered
History, at ten I'd still hold out my hands
& berries fell into them. Eating from one
& filling a half gallon with the other,
I ate the mythology & dreamt
Of pies & cobbler, almost

Needful as forgiveness. My bird dog Spot
Eyed blue jays & thrashers. The mud frogs
In rich blackness, hid from daylight.
An hour later, beside City Limits Road
I balanced a gleaming can in each hand,
Limboed between worlds, repeating one dollar.

The big blue car made me sweat.
Wintertime crawled out of the windows.
When I leaned closer I saw the boy
& girl my age, in the wide back seat
Smirking, & it was then I remembered my fingers
Burning with thorns among berries too ripe to touch.
--Yusef Komunyakaa


"Men Loved Wholly beyond Wisdom"
Men loved wholly beyond wisdom
Have the staff without the banner.
Like a fire in a dry thicket
Rising within women's eyes
Is the love men must return.
Heart, so subtle now, and trembling,
What a marvel to be wise,
To love never in this manner!
To be quiet in the fern
Like a thing gone dead and still,
Listening to the prisoned cricket
Shake its terrible dissembling
Music in the granite hill.
--Louise Bogan


" 'Well,' I said, if someone was tired of hearing about white folks, do you think they should say, 'Forget white folks,' or 'Forget what white folks think'?'

"Grandma looked at me harder. 'I think the fool probably ought to ask himself why and what it is they want to forget. [...]' "
--Kiese Laymon, Long Division


"Embarrassed, I understood on that stage, was just another way of saying I felt alone."
--Kiese Laymon


"Past, present, and future exist within you and you change them by changing the way you live your life."
--Kiese Laymon


" 'I'd be an ellipsis.'

" 'What's that?'

" 'That's the dot-dot-dot you were talking about.' She let go of my hand and sat up while leaning on both hands. 'The ellipsis always knows something more came before it and something more is coming after it.' "
--Kiese Laymon


" 'What does Jesus say is the difference between the fiction in your head and the real life you live? You know what I mean? It's like there's two of everybody, the one in fiction and the one in real life. But what's the difference?'

"She squeezed my hand tighter and looked me right in the eyes. 'Really, it ain't no difference, City,' she said. 'Because unless you use both of them the right way, they just as bad or just as good as you want them to be. But you lead both of them,' she whispered in my ear. 'And don't take no ass-whupping or no disrespect from no one in your own house or your own dreams, you hear me? Do whatever it takes to protect you and yours,' she said. 'Especially in your dreams. Especially in your dreams, because you never know who else is watching.' "
--Kiese Laymon


"The Hand"
The teacher asks a question.
You know the answer, you suspect
you are the only one in the classroom
who knows the answer, because the person
in question is yourself, and on that
you are the greatest living authority,
but you don't raise your hand.
You raise the top of your desk
and take out an apple.
You look out the window.
You don't raise your hand and there is
some essential beauty in your fingers,
which aren't even drumming, but lie
flat and peaceful.
The teacher repeats the question.
Outside the window, on an overhanging branch,
a robin is ruffling its feathers
and spring is in the air.
--Mary Ruefle
[identity profile] two-grey-rooms.livejournal.com
Death: Humans need fantasy to be human. To be the place where the falling angel meets the rising ape.
Susan: With tooth fairies? Hogfathers?
Death: Yes. As practice, you have to start out learning to believe the little lies.
Susan: So we can believe the big ones?
Death: Yes. Justice, mercy, duty. That sort of thing.
Susan: They're not the same at all.
Death: You think so? Then take the universe and grind it down to the finest powder, and sieve it through the finest sieve, and then show me one atom of justice, one molecule of mercy. And yet, you try to act as if there is some ideal order in the world. As if there is some, some rightness in the universe, by which it may be judged.
Susan: But people have got to believe that, or what's the point?
Death: You need to believe in things that aren't true. How else can they become?
--Terry Pratchett, Hogfather, as quoted by [livejournal.com profile] shadesong

"Riding Backwards on a Train"
Someone always likes to ride backwards,
leaning his head against the window, reflection,
the clacking of the cars rocking him to sleep.
What does he see in the passing frames?
Stories. Stories like long tracts of land.
There goes an old house, a sycamore.
There goes an old house, a sycamore.
My mother was an old house, my father
a sycamore towering over her. In winter
I teetered on a ladder, a weathered ledge,
and cleaned the gutters. When I dream
I am falling, I fall from that roof, born midair,
barely alive, then the ground, hard mercy,
a stranger's hand always touching my shoulder.
--James Hoch
[identity profile] two-grey-rooms.livejournal.com
"Nothing is more dangerous than an idea when it's the only one you have."
--Emile Chartier


"Today Is the Piano's Birthday"
Today is the piano's birthday. Yesterday it was found weeping in the garden. Mother was not there, father was gone. But today is the piano's birthday...

Under the balalaika tree the children touch it. The piano's first pedals hum.

Hurrah! shout the children. The piano is on holiday! They sing the birthday song. They bound up and down. They strike the exact note without looking, without looking the piano writes a song for the children...

Plinking, planking, plonk--the piano conducts the children through a small wood of ivory. The children sing with their feet. They call to mother who is dreaming on the lawn, to father who is at the office polishing his machines...

The piano falls into a dream. The children listen. From far off, birds with the faces of women enter the garden. They lie down. They call to the children. The children listen. They lean into the darkness. They decide. They curl inside the piano's birthday. The children are the size of a crotchet. The piano grows around them.

The piano is being dreamed. The children are the stories. They are listening...to mother wake on the lawn and touch the space around her...to father close the office door...
And today is the piano's birthday.

If we listen--we can hear mother call them, we can hear father enter the house, carefully. If we listen--we can hear the very first song the children sing, the very first dream the piano dreams...we can hear...mother and father touch each other with wonder...
--Michael Harlow


"Sometimes it's better to light a flamethrower than curse the darkness."
--Terry Pratchett, Men at Arms


"Vimes grinned. Funny, he thought, how I never feel really alive until someone tries to kill me. That's when you notice that the sky is blue. Actually, not very blue right now. There's big clouds up there. But I'm noticing them."
--Terry Pratchett, Men at Arms


"Now I know at last what it felt like to be in love: like a bruised pomelo, like a drowned cat, like a toothache, like a lost button, like a mop."
--Gilda Cordero-Fernando


"How do people, like, not curse? How is it possible? There are all these gaps in speech where you just want to put a 'fuck.' I'll tell you who the most admirable people in the world are: newscasters. If that was me, I'd be like, 'And the motherfuckers flew the fucking plane right into the Twin Towers.' How could you not, if you're a human being? Maybe they're not so admirable. Maybe they're robot zombies."
--Nick Hornby, A Long Way Down


"Find value in what we've been taught is worthless. Find good in what the world says is evil."
--Chuck Palahniuk


"He who fights with monsters might take care lest he thereby become a monster. And if you gaze for long into an abyss, the abyss gazes also into you."
--Friedrich Nietzsche


"There Is Only One of Everything"
Not a tree but the tree,
we saw, it will never exist, split by the wind and bending down
like that again. What will push out of the earth

later, making it summer, will not be
grass, leaves, repetition, there will
have to be other words. When my

eyes close language vanishes. The cat
with the divided face, half black half orange
rests in my scruffy fur coat, I drink tea,

fingers curved around the cup, impossible
to duplicate these flavors. The table
and freak plates glow softly, consuming themselves,

I look out at you and you occur
in this winter kitchen, random as trees or sentences,
entering me, fading like them, in time you will disappear

but the way you dance by yourself
on the tile floor to a worn song, flat and mournful,
so delighted, spoon waved in one hand, wisps of roughened hair

sticking up from your head, it's your surprised
body, pleasure I like. I can even say it,
though only once and it won't

last: I want this. I want
this.
--Margaret Atwood


"Life happens too fast for you ever to think about it. If you could just persuade people of this, but they insist on amassing information."
--Kurt Vonnegut


"You recognize a true friend by how he lies to you."
--Alessandro Morandotti

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